The Poet’s Voice – June 2013

by Carol Pearce Bjorlie, Rapid River Poetry Editor/Columnist

In Silence, comes the Muse.
[ silence ]

Silence deserves a capital “S”. There’s so little of it. If you don’t believe me, read One Square Inch of Silence: One Man’s Quest to Preserve Quiet, by Gordon Hempton, (Simon and Schuster).

Ruth Ozeki’s essay, “A Crucial Collaboration” in the May/June Poet’s and Writer’s magazine states: A character speaks  — whispers — mutters, shouts — breaking the silence, and in doing so, calls the writer into being, and the writer responds.” [ ……. ]

And now, a word from Wendell Berry.

Best of any song
is bird song
in the quiet, but first
you must have the quiet.

A Timbered Choir, Counterpoint Press, 1889.

The first two weeks of June, I will be in a cabin on Lake Kabekona in the North Woods of Minnesota. Eleven of us will be there (with one bathroom). Five of us will be under thirteen years old.

Where will I find silence? Around a campfire? You know how it is, there you are, hot dogs or marshmallows on sticks, crackling/roaring fire (depending on how many boys there are), and then a sacred silence falls. [ ……. ]

It may be brief, but this silence is where our souls may be heard, and find themselves on the page.

I include a cinquain of my own:

Solitude
At last,
stilled alone. No
guests, murmurs, chaos, news.
Only pines, the lake, a pencil.
Silence.

A third grader once said, Silence reminds me to take my soul with me wherever I go. When this third grader grows up, I hope he/she will discover Rumi.

Rumi
[ ……. ]

Why are you so afraid of silence?
Silence is the root of everything.
If you spiral into its void
a hundred voices will thunder messages
you long to hear.

In Kathleen Norris’ Cloister Walk, (River Head books, N. Y. 1996), she writes:

Liturgical time is essentially poetic time, oriented toward process rather than productivity. The rule of St. Benedict was written in the sixth century by a man determined to find a life of peace and stability. His first rule is LISTEN. The discipline of listening aims to still body and soul so that the words of a reading may sink in. Such silence tends to open a person.

Once, when Kathleen was asked, “What is the main thing a poet does? She was inspired to answer, “We wait.”

I imagine she waits [ ……. ] in silence.

Musician/composer, John Cage’s, definition of music is, “organized sound and silence.” He wrote a piece titled, 4′ 33″. Yes. Four minutes and thirty-three seconds —of silence.

A person comes on stage, bows to polite applause, and takes their seat at a concert grand piano —12 feet of shining curve. The pianist sits for four minutes and thirty-three seconds of silence, stands, bows, and leaves the stage.

Audiences laugh, cough, whisper, fidget. They are uncomfortable. They want their money back. John Cage doesn’t care. A room full of people have listened to four minutes and thirty-three seconds of silence. He asks, “What if it had been five minutes? Would that have made a difference?”

This June, honor silence. [ ……. ]

Scientifically, there is none. In total silence, we hear our heart’s rhythm, our bowels digesting breakfast, and the electricity of our brain. Acousticians have invented a soundproof chamber in which a person can hear, in this intimacy, his body perform.

Right now it is quiet, not silent, at my house. (As soon as I wrote that, the furnace came on.) I hear at least three birds welcoming the day. My computer keys click in well-behaved sequences. I pick up my coffee mug. In the quiet, my ring clinks against pottery. [ ……. ]

A few Poets on Silence:

Pablo Neruda’s, Keeping Quiet
Billy Collins, Silence
Fredrick Zydek, Praying into Stillness
Jane Kenyon, Let Evening Come
Wendell Berry, The Peace of Wild Things
Mary Oliver, Invitation, from Red Bird

 


Rapid River Magazine’s 2013 Poetry Contest Winners –>